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BoJack isn't less realistic, per se-he's just less relatable because he's buttressed by power, wealth, and fame, in the same way I'm not. Rue, as a non-white, non-wealthy woman, is afforded less leeway. The show reflects that, in even modern-feeling depictions of mental illness, men are granted room to “make things right,” while women in the same position are held to be selfish and erratic, or, worse, meet a tragic end as BoJack’s Sarah Lynn, a former child star with whom he worked on the show that brought him fame, Horsin’ Around, dies of a drug overdose.īefore entering the clinic, BoJack asks Diane, “What if I get sober and I’m still the same awful person I’ve always been, only more…sober?” She replies that she thinks that that is a very real possibility: “Rehab is not a cure-all that’s gonna suddenly make you not an asshole.”īoJack's privilege sets him apart and permits him to bring chaos into his loved ones' lives. It takes BoJack a myriad of major screw-ups until, with the help of his patient friend Diane, he seeks treatment in the finale of the latest season.
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He returns, again and again, to prescription medication and alcohol as a way to deflect his trauma, which causes strains on all his major relationships, including that of his estranged daughter, Hollyhock. In the 61 BoJack episodes to date, the titular character is stuck in a hellish cycle of his own making, dragging his hooves for five seasons before he begins to take responsibility for the way his actions have hurt those whom he loves. Rue’s struggle is on the nose, whereas BoJack Horseman’s journey was too distinctly entangled with male entitlement. Rue's plight spoke to me directly in a way that BoJack Horseman and other shows lauded for their depiction of mental health frustratingly get wrong, or even stigmatize. I feel like a patient, etherized upon a table, waiting in vain to come out of my paralysis”). (One entry reads, “Life is passing me by. In my own journals, where I chronicle daily life as a person carrying the burden of mental illness, I have written very similar accounts of time’s slow trudge forward and the way my brain seems to be actively fighting against my desire to get better.
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“I was a drug addict for many years, and I had a lot of anxiety and struggled with depression … What I really wanted to get at the core of is the pain and the shame about what you’re doing,” Levinson said the ATX TV Festival in June, according to Page Six. The episode was written by Euphoria creator, Sam Levinson, who drew upon personal experience while adapting the show from an Isreali miniseries. And, eventually, all you can think about is how life has always been this way. But, slowly, your brain begins to erase every memory that ever brought you joy. So you find yourself trying to remember the things that made you happy. “Suddenly, you find your whole day’s blending together to create one endless and suffocating loop. “The other thing about depression is it kind of collapses time,” Rue continues. "The absolute worst part of depression is that even though you know you’re depressed, you’re unable to stop yourself from getting worse," she adds. She oscillates between highs (calling her friend at 2 AM to inform her about her new pet theory about high school drama) and lows (being so deep in the throes of gloom that she can’t physically leave her bed to urinate).ĭespite having to pee, Rue hasn’t left her bed in 24 hours and the idea of having to “stand up, exert 172 muscles each step for 35 feet, just to sit on cold porcelain and piss out toxins,” as she puts it, feels daunting and this is when she knows she’s in it. The two latest episodes cover the first time Rue is experiencing living “clean.” In “Trials and Tribulations,” the plot centers on Rue’s alternating states of mania and depression. In the first several episodes, she feigns sobriety, but at the behest of a new friend, Jules, she ditches narcotics for good. To recap: When we enter the series, Euphoria with Rue returning from rehab and making a beeline to her drug dealer’s house.